Martin Heidegger[ edit ] Martin Heidegger rejected the philosophical basis of the concepts of "subjectivity" and "objectivity" and asserted that similar grounding oppositions in logic ultimately refer to one another. Instead of resisting the admission of this paradox in the search for understanding, Heidegger requires that we embrace it through an active process of elucidation he called the " hermeneutic circle ". He stressed the historicity and cultural construction of concepts while simultaneously advocating the necessity of an atemporal and immanent apprehension of them.
In lieu of an abstract, here is a brief excerpt of the content: You are sometimes known as the Father. Because postmodernism began as a genuinely contested idea and is fading as a form of media hype.
Can you define it, however tentatively? I would prefer not to. In fact, I cannot, no more than I can define romanticism or modernism in a sentence or paragraph. Such definitions are best left to some onomastic genius. Once, I offered a table of features contrasting modernism with postmodernism.
Once is quite enough. Because it was as widely cited as pounced upon, nearly everyone ignoring my pointed disclaimer: For differences shift, defer, even collapse; concepts in any one vertical column are not all equivalent; and inversions and exceptions, in both modernism and postmodernism, abound.
The way we talk about everything else: We talk about postmodernism by using the word in various verbal contexts—Wittgenstein would have said "language games"—and seeing what happens. Some discussions engage postmodernism and clarify it in certain perspectives, without actually defining it: Because Marxism has a tenuous relation to contemporary reality, as everyone knows except some Western academics.
Some would say that the entire phenomenon of postmodernism is an exercise of Western academics. Remember, the phenomenon has overflowed its theoretical origins to become a kind of ironic cultural awareness, a mode of historical reflexivity—if you wish, a perpetually anxious exercise in self-definition.
But Western, always Western, right? Japan has contributed vigorously to postmodernism, especially in art and architecture. You see, cultural postmodernism has mutated into geopolitical postmodernity.
By the latter, I mean both globalization with its thousand faces multinational capitalism, cyber technology, cultural imperialism, "Americanization"and counter-globalization with as many masks local knowledge, old cultural traditions, postcolonial ideologies, anti-Western resentments.
The point, however, is that postmodernity is a planetary process, postmodernism is not. That suggests a political dimension, which some say you have slighted in your work. How would you respond to that criticism? Writing in the late sixties and early seventies about postmodernism, I lacked the benefits of hindsight.
I did not foresee then that postmodernism would become a media phenomenon, involving pop and kitsch.
And I recognized the emergent process of globalization only in the Seventies, in Paracriticisms But I "slighted" the political only in the sense that I did not give it [End Page ] priority, did not make it an "absolute horizon. The current paradigm in the humanities ignores the inner cost of "politics.
Can you explain why politics impoverishes our lives?
|What Is Postmodernism?||Thus in Beckett, literature rigorously unmakes itself, and in miller, literature pretends erratically to be life.|
|Table of Contents||Such eerie music may yield an experience, an intuition, of postmodernism but no concept or definition of it.|
|The Postmodern Turn: Essays In Postmodern Theory And Culture by Ihab Hassan||You can find the handout on the course website Information on Ihab Hassan.|
|Postmodernism - Wikipedia||Thus in Beckett, literature rigorously unmakes itself, and in miller, literature pretends erratically to be life.|
|Ihab Hassan||There are universal truths that govern the world Irony, parody, lack of seriousness Seriousness, directness No depth, only superficial appearances Faith in a deeper meaning over superficial appearances Rejects focusing on past experiences and rejects objective historical trutth Believes in learning from past experiences and the historical record 2.|
But never mind that. The gravamen is that politics You are not currently authenticated. View freely available titles:Apr 15, · (These are my notes on the second handout for my summer course on postmodernism. You can find the handout on the course website).
Information on Ihab Hassan.. This handout has been excerpted from Ihab Hassan’s book The Postmodern Turn: Essays in Postmodern Theory and Culture, a book I highly recommend to all those seriously interested in theoretical debates about postmodernism.
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In this examination Ihab Hassan's essay "Toward a Concept of Postmodernism" was used as a source of secondary literature for defining of postmodernist features. The most visible and prevalent features are postmodernist metonymy, treatment of the character, dynamic tension, anarchy and a postmodernist look at religion as a whole.
Ihab Hassan: "From Postmodernism to Postmodernity" When attempting to identify Postmodernism, Ihab Hassan, in From Postmodernism to Postmodernity (Hassan, ) describes how it “eludes definition” and is, like Romanticism and Modernism, fluid as it will “shift and slide continually with time, particularly in an age of ideological.
From Postmodernism to Postmodernity: The Local/Global Context. Hassan, Ihab Habib, Philosophy and Literature, Volume 25, Number 1, April Ihab Hassan, “Toward a Concept of Postmodernism” (From The Postmodern Turn, ) The strains of silence in literature, from Sade to Beckett, convey complexities of language, culture, and consciousness as these contest themselves and one another.